The Grammar of Anglo-Saxon Stone Sculpture

Chapter 1: Historical Background to the Sculpture
Chapter 2: Sequence of Forms
Chapter 3: Circumstances of Production
Chapter 4: Sequence of Ornament
Chapter 5: Chronology and Schools of Carving

Chapter 6: Conclusions

All figures, maps and tables printed in Volume I, as they appear in the chapters listed above. *

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier Research
Chapter 2: Historical Background to the Sculpture
Chapter 3: Regional Geology
Chapter 4: The Topography and Distribution of Anglian-Period Sculptures
Chapter 5: Anglian-Period Forms
Chapter 6: Anglian-Period Ornament
Chapter 7: The Bewcastle Cross and its Context
Chapter 8: The Anglian Period Summarised
Chapter 9: The Chronology of Viking-Period Sculptures
Chapter 10: Numbers and Distribution of Viking-Period Sculptures
Chapter 11: Viking-Period Forms
Chapter 12: Schools of Viking-Period Sculpture
Chapter 13: Late Developments
Bibliography

All figures, maps and tables printed in Volume II, as they appear in the chapters listed above. *

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier Research
Chapter 2: Historical Background to the Sculpture
Chapter 3: Regional Geology
Chapter 4: The Topography and Distribution of Anglian-Period Sculptures
Chapter 5: Anglian-Period Forms
Chapter 6: Anglian-Period Ornament
Chapter 7: The Topography and Distribution of Anglo-Scandinavian-Period Sculptures
Chapter 8: Anglo-Scandinavian-Period Forms
Chapter 9: Anglo-Scandinavian-Period Ornament
Chapter 10: Schools of Anglo-Scandinavian-Period Carving
Chapter 11: The Late Tenth and Eleventh Centuries
Chapter 12: The Non-Runic Inscriptions
Chapter 13: Techniques of Production of the Monuments
Bibliography

All figures, maps and tables printed in Volume III, as they appear in the chapters listed above. *

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research, by D. Tweddle
Chapter 2: Historical background to the sculpture, by H. R. Loyn
Chapter 3: Regional geology, by B. C. Worssam
Chapter 4: Classification of forms, by D. Tweddle
Chapter 5: The development of sculpture to c. 950, by D. Tweddle
Chapter 6: The date and stylistic context of the Reculver fragments, by D. Tweddle
Chapter 7: The development of sculpture c. 950–1100, by D. Tweddle
Chapter 8: The excavated sculptures from Winchester, by M. Biddle and B. Kjølbye-Biddle
Chapter 9: The inscriptions in Latin lettering, by J. Higgitt
Bibliography

All figures, maps and tables printed in Volume IV, as they appear in the chapters listed above. *

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research, by P. Everson and D. Stocker
Chapter 2: Historical background to the sculpture, by P. Everson and D. Stocker
Chapter 3: Regional geology, by B. C. Worssam
Chapter 4: Style and ornament, by P. Everson and D.Stocker
Chapter 5: Introduction to the monument groupings, by P. Everson and D. Stocker
Chapter 6: Architectural sculpture, by P. Everson and D. Stocker
Chapter 7: The non-runic inscriptions, by J. Higgitt
Chapter 8: Conclusions, by P. Everson and D. Stocker
Chapter 9: Overlap and the continuing tradition, by P. Everson and D. Stocker
Bibliography

All figures, maps and tables printed in Volume V, as they appear in the chapters listed above. *

Preface to the original printed volume
Acknowledgements
Editorial acknowledgements
Chapter 1: Earlier research, by J.T. Lang
Chapter 2: Historical background to the sculpture, by J.T. Lang
Chapter 3: Regional geology, by J.R. Senior
Chapter 4: Anglian and Anglo-Scandinavian period forms, by J.T. Lang
Chapter 5: Anglian and Anglo-Scandinavian period ornament, by J.T. Lang
Chapter 6: The schools, by J.T. Lang
Chapter 7: The inscriptions, by J. Higgitt
Note on the catalogue
Bibliography

All figures, maps and tables printed in Volume VI, as they appear in the chapters listed above. *

Preface to the original printed volume
Acknowledgements
Chapter 1: Historical background to the sculpture
Chapter 2: Regional geology
Chapter 3: Topography and distribution
Chapter 4: Earlier research
Chapter 5: Monument types
Chapter 6: Introduction to the ornamental repertoire
Chapter 7: Figural imagery
Chapter 8: The inscriptions
Chapter 9: Regional distinction and problems of dating
Bibliography

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research
Chapter 2: Historical background to the sculpture
Chapter 3: Regional geology
Chapter 4: Anglian and Anglo-Scandinavian period forms
Chapter 5: Anglian and Anglo-Scandinavian period ornament
Chapter 6: Figural sculpture
Chapter 7: The sculptures - distribution and dating
Chapter 8: The inscriptions
Bibliography

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research
Chapter 2: Historical background to the sculpture
Chapter 3: Regional geology
Chapter 4: Anglian period sculpture
Chapter 5: The Viking period
Bibliography

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research
Chapter 2: Historical introduction
Chapter 3: The distribution of the sculpture
Chapter 4: Regional geology
Chapter 5: Monument types (forms)
Chapter 6: Ornamental repertoire (to AD 900)
Chapter 7: Ornamental repertoire (AD 900-1100)
Chapter 8: Figural imagery
Chapter 9: Sculpture recovered from archaeological excavations and dateable early structural contexts
Chapter 10: Examination and analysis of the Deerhurst polychromy
Chapter 11: Conclusions
Bibliography

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research and methodology
Chapter 2: Regional geology
Chapter 3: Topography and landscape
Chapter 4: Historical background to the sculpture
Chapter 5: Archaeological background to the sculpture
Chapter 6: Monument types
Chapter 7: Ornamental repertoire
Chapter 8: Inscriptions
Chapter 9: Groups, dating and relationships
Chapter 10 Continuing tradition
Bibliography

Preface to the original printed volume
Acknowledgements
Chapter 1: Earlier research
Chapter 2: Regional geology
Chapter 3: Historical background to the sculpture
Chapter 4: Style and ornament
Chapter 5: Introduction to the monument groupings
Chapter 6: Architectural sculpture
Chapter 7: Conclusions
Chapter 8: Overlap and the continuing tradition
Bibliography

Preface to the original printed volume
Acknowledgements
Chapter 1: The study of the Anglo-Saxon stone sculpture of Derbyshire and Staffordshire
Chapter 2: Regional geology
Chapter 3: Topography and regional distributions
Chapter 4: Historical background
Chapter 5: The Repton sculptures
Chapter 6: Sculpture of the Anglian period: monument forms, sculptural motifs and iconographic themes
Chapter 7: Sculpture of the Scandinavian period: monument forms and carved motifs
Chapter 8: Conclusions
Bibliography